marina

Marina and the Diamonds. She's not a robot.
cc_MC_final2
The New York Times
Illustration for Book Review.
marina1
marina2
Marina and The Diamonds EP.
Illustration + artwork for Neon Gold Records.
leadership
Condé Nast Portfolio.
Illustration for commentary page.
“Yes, we can still be friends,” she said, with what firmness she could muster.
“Yes, we can still be friends,” she said, with what firmness she could muster.
But the clock went on striking, four, five, six and he seemed part of that garden
But the clock went on striking, three, four, five and he seemed part of that garden.
“Two minutes,” he says, raising his finger.
“Two minutes,” he says, raising his finger.
Experiência Variações
Work for Cassefaz Productions.
Experiência Variações (Variações Experience) is a performance based on the life and work of portuguese music artist António Variações. His irreverence, dare and looks are transported to a theatre piece in the form of a multimedia experience with actors, props and sounds. Set designed and text by portuguese artist André Murraças.
cristianacouceiro_GO_final
Commissioned work by 'If you could G&B Diary 2009'
The illustration responds to the question 'If you could do anything tomorrow, what would it be?'
Picture 24
Interview for Untrendy Graphics.
New York Times
The New York Times
Cover for Book Review.
It took him five seconds in actual time, in mind time ever so much longer.
It took him five seconds in actual time, in mind time ever so much longer.
But he was not there. He was not in the blue room either.
But he was not there. He was not in the blue room either.
Every day, for seven days now, she had heard the same words.
Every day, for seven days now, she had heard the same words.
And he says, “That means something. But what?”’
And he says, “That means something. But what?”’